Georgetown University’s Newspaper of Record since 1920

The Hoya

Georgetown University’s Newspaper of Record since 1920

The Hoya

Georgetown University’s Newspaper of Record since 1920

The Hoya

DIRECTORS CUT: Us Loses Its Message in Complex Plot

DIRECTOR’S CUT: ‘Us’ Loses Its Message in Complex Plot

By Olivia Simon April 16, 2019

I saw Jordan Peele’s “Us” in an early release a couple weeks ago and had initially planned on writing this response that same night. That, unfortunately, did not happen. “Us” is a film with...

DIRECTORS CUT: Peter Jacksons They Shall Not Grow Old Humanizes Western Front Soldiers

DIRECTOR’S CUT: Peter Jackson’s ‘They Shall Not Grow Old’ Humanizes Western Front Soldiers

By Olivia Simon February 19, 2019

As I was browsing the AMC website the other day, I noticed that Peter Jackson’s “They Shall Not Grow Old” had returned to the theater on account of popular demand. Given the endless critical praise...

DIRECTORS CUT: Roma Dazzles With Deceptively Simple Portrait of Mexico City

DIRECTOR’S CUT: ‘Roma’ Dazzles With Deceptively Simple Portrait of Mexico City

By Olivia Simon February 4, 2019

Viewers rarely get to see a film that feels as simple as it does enriching. Alfonso Cuarón’s “Roma” not only offers this experience, but also creates a quiet, humble sadness whose climax erupts...

Olivia Simon

DIRECTOR’S CUT: ‘Green Book’ Offers Moving but Imperfectly Crafted Story

By Olivia Simon January 22, 2019

I became aware of “Green Book” just before the holidays, when a couple of my friends mentioned it was worth catching at the theater. While I was surprised to learn the film was directed by Peter Farrelly...

Olivia Simon

DIRECTOR’S CUT: Cooper Captivates With Raw Emotion in ‘A Star Is Born’

By Olivia Simon November 29, 2018

I’ve never been great with trends, so I was a little late to the craze surrounding “A Star Is Born.” While waiting meant that I got to take in Bradley Cooper’s (COL ’97) directorial debut outside...

DIRECTORS CUT: Style Over Substance Spoils ‘Bad Times at the El Royale’

DIRECTOR’S CUT: Style Over Substance Spoils ‘Bad Times at the El Royale’

By Olivia Simon October 31, 2018

I want to open this installment with a confession: “Bad Times at the El Royale” is the fall 2018 film I have been waiting for. The Tarantino-esque trailer, the crossover storylines, the secrets that...

DIRECTORS CUT: Chazelle Juxtaposes Intimate with Infinite in First Man

DIRECTOR’S CUT: Chazelle Juxtaposes Intimate with Infinite in ‘First Man’

By Olivia Simon October 17, 2018

Rain greeted me outside the theater after a screening of Damien Chazelle’s “First Man.” As I walked back to Georgetown, the world around me felt both smaller and larger at the same time. If you’ve...

DIRECTORS CUT: A Simple Favor Pioneers a New Feminist Noir Subgenre

DIRECTOR’S CUT: ‘A Simple Favor’ Pioneers a New Feminist Noir Subgenre

By Olivia Simon October 2, 2018

Director Paul Feig has put a feminine twist on gritty noir tropes in “A Simple Favor,” injecting the film with dark humor and sets that bend reality to bring the film’s two antiheroines to life. The...

DIRECTORS CUT: Spike Lee Takes Risks in BlacKkKlansman, With Mixed Results

DIRECTOR’S CUT: Spike Lee Takes Risks in ‘BlacKkKlansman,’ With Mixed Results

By Guide Editor September 24, 2018

I’ve always admired Spike Lee as a director because he’s a risk taker. While a lot of filmmakers know how to put on a show, not as many can truly say they’re bringing something fresh to the table....

DIRECTORS CUT: Operation Finale and the Humanization of Evil

DIRECTOR’S CUT: ‘Operation Finale’ and the Humanization of Evil

By Guide Editor September 5, 2018

 The capture and trial of Nazi SS officer Adolf Eichmann, one of the major masterminds behind the Holocaust, is not a story that everyone would feel comfortable putting on the big screen. Films that portray...

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