‘JUMP’ Deftly Addresses Mental Health Stigma
By Eliza Phillips
• October 25, 2018
Stilted Dialogue and Dull Colors Spoil ‘Boy Erased’
By Paulina Enck
• October 25, 2018
Director Reveals Familial Drive Behind Debut Film
By Elfrieda Nwabunnia
• October 23, 2018
Vivid Authenticity in ‘What They Had’ Enthralls Audiences
By Elfrieda Nwabunnia
• October 23, 2018
Devoid of Ingenuity, ‘Halloween’ Disappoints
By James Kim
• October 22, 2018
Depiction of Addiction in ‘Beautiful Boy’ Haunts Viewers
By James Kim
• October 18, 2018
Director Rupert Everett Illuminates Wilde’s Final Days
By Paulina Enck
• October 5, 2018
Fitting Finale for Redford in ‘The Old Man and the Gun’
By Meghan DeCourcey
• October 4, 2018
Charming Cast and Captivating Costumes Characterize ‘Colette’
By Paulina Enck
• October 3, 2018
‘The Sisters Brothers’ Is as Good as Gold
By Paulina Enck
• October 1, 2018
HIGHLIGHT REEL: Independent Film Theaters in Limbo as the District Evolves
By Kiera Geraghty
• September 27, 2018
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