‘Us’ Critiques Society Using Horror Genre
By Sean Fulmer
• March 28, 2019
‘Mapplethorpe’ Fails to Capture Photographer’s Essence
By Charlotte Lindsay
• March 15, 2019
Stars Shine Despite Rushed Plot in ‘Greta’
By James Kim
• March 13, 2019
‘What Men Want’ Highlights Humor, Diversity
By Elfrieda Nwabunnia
• February 20, 2019
DIRECTOR’S CUT: Cooper Captivates With Raw Emotion in ‘A Star Is Born’
By Olivia Simon
• November 29, 2018
Jonah Hill’s ‘Mid90s’ Evokes Bittersweet Nostalgia
By Eliza Phillips
• November 9, 2018
‘Bohemian Rhapsody’ Is a Killer Queen Biopic
By Paulina Enck
• November 1, 2018
DIRECTOR’S CUT: ‘A Simple Favor’ Pioneers a New Feminist Noir Subgenre
By Olivia Simon
• October 2, 2018
‘The Sisters Brothers’ Is as Good as Gold
By Paulina Enck
• October 1, 2018
‘Tea With the Dames’ Is as Pleasant as an Afternoon in the Garden
By Anastasia Armendariz
• September 25, 2018
For ‘The Children Act,’ Skip the Theater and Read the Book
By Alexandra Brunjes
• September 25, 2018
‘The House with a Clock in its Walls’ Features Creative Magic but Falters in the Finale
By James Kim
• September 24, 2018
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