Have you ever heard of the name James Wormley? If you haven’t, you are not alone. This pioneer in civil rights, who successfully campaigned for the right of African-American students to attend public schools, has largely been forgotten by the Georgetown community.

Formed at the beginning of last year, The Georgetown Progressive is a publication that, according to their mission statement, “lies at the intersection of the ideas, talents and creativity of progressive activists on Georgetown University’s campus … [and seeks] to educate our campus, demonstrate to the country how strong the progressive movement … is, and generate ideas about progressive p

While artists would be expected to be at an arts festival, and anthropologist enthusiasts would be expected to be at a culture-focused event, the universal themes on display at last week’s National Georgraphic’s fifth annual All Roads Film Festival brought in a crowd as diverse in interests and backgrounds as the topics that the festival’s art covered.

The post-apocalyptic family film — sounds like some sort of sick joke, doesn’t it? (It’s one thing to kill Bambi’s mother, but quite another to make Earth utterly uninhabitable.) And yet after Pixar’s recent triumph WALL-E and the new fantasy-novel adaptation City of Ember, this seems to be an emerging Hollywood genre.