‘Princess Mononoke’ Is a Multilayered Miyazaki Masterpiece
By Pria Gadkari, Hoya Staff Writer
• February 21, 2024
REEL DILEMMA | Unraveling the Essence of Ghibli: An Ode to Creativity in Cinema
By Preston Shirazi, Guide Columnist
• February 21, 2024
‘Porco Rosso’ Is an Underrated Member of the Ghibli Pantheon
By William McCall, Senior Guide Editor
• February 21, 2024
‘Grave of the Fireflies’ Meshes Beautiful Animation with Solemn Story of War and Loss
By Mahika Sharma, Hoya Staff Writer
• February 21, 2024
‘Spirited Away’: A True Mastery of Animated Storytelling
By Caroline Woodward, Hoya Staff Writer
• February 21, 2024
Room For Improvement, ‘The Boy and the Heron’ Is Fine, I Guess
By Ethan Hill, Hoya Staff Writer
• February 21, 2024
AUTEUR SPOTLIGHT | Hayao Miyazaki
By Sophia Lu, Guide Columnist
• February 21, 2024
I Think He Found the Beach: Declan McKenna Releases Third Studio Album ‘What Happened to the Beach?’
By Amber Cherry, Deputy Guide Editor
• February 14, 2024
Roar! Chinatown’s Annual New Year Parade Offers Fiery Performances Amid Rich Cultural History
By Elizabethe Bogrette, Deputy Guide Editor
• February 14, 2024
On Your Radar: Music and More
By Elizabethe Borgette, Deputy Guide Editor
• February 14, 2024
Cleanup On Aisle Nine, ‘Argylle’ Is A Mess From Start To Finish
By Ethan Hill, Hoya Staff Writer
• February 14, 2024
Greco: A Fresh Greek Twist On The Standard Lunch Bowl
By Celeste Viana, Hoya Staff Writer
• February 14, 2024
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